Adapted from the works of William Shakespeare
Written and Performed by Patrick Page

“Hell is empty and all the devils are here.” –The Tempest

Macbeth. Iago. Claudius. STC Affiliated Artist Patrick Page invites you to experience the evolution of evil in Shakespeare’s villains—from rogues and cutthroats to tyrants and sociopaths. A Tony Award nominee for his “electrifyingly maleficent Hades” in Hadestown (The New York Times) and lovingly nicknamed “The Villain of Broadway” (Playbill) for his delicious Broadway performances in Saint Joan, Casa Valentina, and Cyrano de Bergerac, Patrick Page explores how Shakespeare created the treacherous characters we all love to hate. This mesmerizing one-man performance is available online only, and STC subscribers will have the exclusive opportunity to talk directly with Patrick in a special live, post-show conversation.

Single tickets to All the Devils Are Here will go on sale in January.

Sponsored by

What do we gain after all is lost?

Based on Nobel Prize-winning author José Saramago’s phantasmagorical novel, adapted by Simon Stephens (The Curious Incident of the Dog in the Night-Time), Blindness begins with the nightmarish premise of a pandemic that causes blindness. In an immersive sound and light installation, the production features the recorded audio performance of the Olivier Award-winning actress Juliet Stevenson (Truly, Madly, Deeply), for a wholly unique experience. Hailed by The Guardian as “an exquisitely told story of resilience, violence, and hope,” this remarkable work of art posits the paranoia of governmental indifference to the plight of the suffering, yet offers a message of hope in times of darkness. This actor-less installation, limited to 40 guests at a time, will be a welcoming first step back into Sidney Harman Hall.

Please note, Blindness is an add-on to the season Subscription. You may opt out of Blindness and still maintain your Subscriber status.

A Surreal Work for Surreal Times

Prepare to be taken somewhere new. An older couple prepares for the arrival of a speaker who may (or may not) hold the secret to the meaning of life. As they unstack chairs for an anticipated audience, we are confronted with challenging questions about our existence: How do we patch the cracks in reality? What is the meaning of it all? And exactly how many chairs can one room possibly hold? By turns hilarious, elegiac, and utterly humanizing, Helen Hayes Award-winning Associate Artistic Director Alan Paul (Peter Pan and Wendy) brings a light touch to Ionesco’s highwire masterpiece of the absurd.

A Revolutionary Life Reexamined

London’s Theatre Royal, 1833. Theatre history is made when the greatest Shakespeare actor of the times, Edmund Kean, collapses onstage while performing the lead role in Othello, and Ira Aldridge, a Black American actor, takes his place. As a bill promoting the abolition of slavery sends shock waves through Parliament, how will London react to Aldridge’s groundbreaking performance? Written by the 2012 Most Promising Playwright (Evening Standard Theatre Awards), Red Velvet tells the forgotten history of a pioneering actor, rebuked by his native land, who found triumph amid a tempest of social injustice and personal sacrifice.

The Original Witch Hunt

Arthur Miller’s classic drama of paranoia and deceit continues to burn brightly for generations of theatregoers. Frenzied finger pointing, false accusations, and a shared hysteria challenge the fortitude of John Proctor, who must unravel the dark mystery that confounds his community. Conjuring an infamous chapter of our nation’s past—the Salem witch trials of 17th century New England—The Crucible dramatizes the power of rumor and the seduction of righteous fanaticism. This timeless parable is reimagined by Associate Director Whitney White (The Amen Corner), admired for her “consistently imaginative and unconventional stagings” (The Undefeated), shedding light on the American struggle between public opinion and private truths.

A Jubilant Romantic Comedy

Escape into the green world of Arden where love blossoms, friendships flourish, and poems grow on trees. Fleeing the perils of court, the brilliant Rosalind and her friends find safety in the forest. Rosalind, disguised as a boy, seizes the chance to stretch her legs, rebuffing lovesick shepherds while bewitching Orlando and the audience alike. With errant love notes, misguided passions, and gorgeous poetry, Shakespeare’s playful romantic comedy unpacks the mad nature of love and concludes it can transform reality. Artistic Director Simon Godwin directs this celebration of loyalty and renewal by embracing the Shakespearean maxim that, even in times of pandemic, all the world’s a stage.

Everyone’s health and safety is our top priority at STC. As we prepare to welcome audiences back, we will be developing procedures to best serve everyone entering our theatre. These plans will continue to evolve as we learn more.

Guidelines

• All staff, volunteers, and visitors will wear face masks in our buildings.
• We request that any patron who is feeling ill to please stay home. Our staff and volunteers will do the same.
• Before your performance, look for an STC Virtual Valet message in your email which will include all of our safety guidelines plus any updates from ReOpen DC campaign in accordance with the Mayor’s office.
• A trained Safety Compliance Officer will be on site at every performance ensuring all rules are being followed. Any questions or concerns can be discussed with the Safety Officer at the seating.

Enhanced Cleaning Procedures

• In addition to our normal cleaning process, we will increase the cleaning all public spaces, including the theatres, lobbies, and restrooms.
• We are thoroughly disinfecting door handles, counters, and all shared surfaces prior to and after every performance.
• Hand sanitizer stations will be available throughout the building.

Tickets & Seating – Travel from the street to your seat in a completely contactless manner.

• A fully digital ticketing system allows contactless ticket scanning.
• Entrances and exits will be clearly marked for single flow of patrons. Elevator rides will be limited to individual parties.
• For Blindness:
  • Seating is limited to 40 people, sitting in pairs, socially distanced from each other. No patron will be sitting next to someone they did not come to the theatre with.
  • Headsets, seats, and flashlights will be disinfected at every performance, as well as all bathrooms and lobby spaces cleaned before the next seating group is allowed inside the building.
• In accordance with our city government’s ReOpen DC plan, our theatre’s seating has been reduced for proper social distancing. In Sidney Harman Hall our maximum seating capacity for performances will be 196 (normal capacity 761) and no mainstage shows will be at the Michael R. Klein Theatre at the Lansburgh.
• Alternate rows will be left empty to allow at least six feet of distance between audience members. In almost all instances patrons will be able to sit with all members of their own party.

Programs

• Our programs will be digital. In addition to information about the production, programs will offer enhanced content including videos and up-to-date extras. Programs will be accessible through our website and sent by Virtual Valet email in advance of each performance.

Our Guarantee

• We recognize these are uncertain times. If for any reason we must cancel a performance we will honor our audience’s commitment to STC by offering a full array of ticket exchange and refund options.

Audience Feedback

• We’re not done. These plans and procedures are the first steps to safeguarding STC patrons. We welcome all feedback and recommendations for improvements. Please email STCBox@ShakespeareTheatre.org to let our Safety Committee know your ideas and concerns.

Our benefits are designed to give you greater savings, flexibility, and access to all that Shakespeare Theatre Company has to offer. Our regular slate of benefits has been adjusted due to the current health crisis.

Benefits

• Free STC On Demand access to all plays*
• First access to special events and special announcements
• Priority seating
• Free access to Shakespeare Hour LIVE!
• Access to Exclusive Subscriber-Only events

Flexibility

• Free ticket exchanges, protected from demand-based pricing increases, with no upgrade fees
• Reseating/standby options for missed performances
• Payable in monthly installments

Savings

• Up to 30% off single tickets
• 25% off additional tickets
• 35 or Under? Subscribe for only $30 a ticket
• 25% off STC merchandise

Accessibility

• Audio-Described Saturday matinees
• Open Caption performances (please check schedule)

*Does not include the presentation of the Donmar Warehouse’s Blindness.