A Partial History
The newly established Shakespeare Theatre at the Folger Shakespeare Library’s (since renamed the Shakespeare Theatre Company) first production, Romeo and Juliet, opens. The production, which plays to sold-out houses and earns Artistic Director Michael Kahn his first Helen Hayes Award nomination, features a top-notch cast and designers that make clear Kahn’s vision to create a nationally renowned theatre.
STC’s non-traditional casting makes headlines when Pat Carroll takes on the traditionally male role of Falstaff in The Merry Wives of Windsor. The next season Andre Braugher plays the role of Iago alongside Avery Brook’s title character in Othello.
At STC’s first open rehearsal, theatregoers line up around the block to watch Stacy Keach rehearse Richard III under the direction of Michael Kahn. Keach later returns to STC to play the title roles in Macbeth in 1995 and King Lear in 2009.
STC changes the cultural landscape of the nation’s capital with its first Free For All. More than 2,500 theatregoers watch each performance of The Merry Wives of Windsor under the stars at Carter Barron Amphitheatre. This annual tradition of free Shakespeare continues today.
After six years in residency in the Folger Library’s Elizabethan theatre, STC moves mid-season to a new performance space: the 451-seat Lansburgh Theatre, which provides both more flexibility in production and technical processes and more space for STC’s growing audience. The opening of the theatre was a turning point in the revitalization of the Penn Quarter neighborhood.
The Clintons, then the First Family, attend Twelfth Night. In the words of theatre critic Bob Mondello (WETA Around Town), “I am almost certain that history was made when the President went to the Shakespeare Theatre. I uncovered no other instance when a sitting president attended a regional theatre.”
The inaugural class of the Shakespeare Theatre Company Academy for Classical Acting at The George Washington University begins their one-year intensive MFA program in classical acting. Nearly 200 actors auditioned for the 24 spots.
Michael Kahn directs The Oedipus Plays, a new translation and adaptation of Sophocles’ Theban trilogy. The then-Greek Ambassador to the U.S. and the Cultural Attaché attend this one-night production. After their enthusiastic recommendations, STC is invited to perform The Oedipus Plays at the Athens Festival in Greece in September 2003.
STC produces five of Tennessee Williams’ one-acts, including several world premieres, as part of the Kennedy Center’s “Tennessee Williams Explored” program. Michael Kahn, a close friend and collaborator of Williams, is uniquely suited to direct Five by Tenn, which is later produced by the Manhattan Theatre Club.
Michael Kahn directs Love’s Labor’s Lost at STC, followed by two weeks of sold out performances and rave reviews at the Royal Shakespeare Company’s Complete Works Festival in Stratford-upon-Avon later that summer. The Telegraph’s Charles Spencer writes, “Shakespeare sounds great with an American accent.”
The Shakespeare in Washington celebration, conceived by the Kennedy Center’s Michael Kaiser and curated by STC’s Michael Kahn, features the work of more than 70 arts organizations in more than 500 performances, many free of charge.
After three years of construction, Sidney Harman Hall opens with a sold-out gala celebration and ambitious repertory productions of Christopher Marlowe’s Tamburlaine and Edward II. Sidney Harman Hall features 774 seats and a flexible stage that can accommodate theatre, dance, music, and film.
STC hosts Welcome to Washington, an event to introduce incoming politicians to the city’s professional performing arts companies. Many local arts groups perform on the same stage for an audience that includes First Lady Michelle Obama.
STC presents the only North American engagement of the National Theatre of Great Britain’s production of Phèdre featuring Helen Mirren. This production paves the way for other presentations of outstanding international performances, including the National Theatre of Scotland’s Black Watch and Headlong’s 1984.
STC kicks off its 25th Anniversary Season under the direction of Michael Kahn. Special events include presentations of the hit musical FELA! and Basil Twist’s Petrushka, as well as two Bard’s Broadway productions, Two Gentlemen of Verona and The Boys From Syracuse.
The American Theatre Wing awards STC the 2012 Regional Theatre Tony Award.
STC mounts Yael Farber’s Salomé, an epic world premiere, as an originating company in D.C.’s inaugural Women’s Voices Theatre Festival. Salomé earns seven Helen Hayes Awards, including Outstanding Production of a Play.
STC’s production of A Midsummer Night’s Dream, originally produced in 2012, travels to China to kick off the 27th Macao Arts Festival.
Michael Kahn announces that the 2018–2019 Season will be his last at STC. An international search begins for his successor, and in September 2018, STC names Simon Godwin, Associate Director of London’s National Theatre, as the incoming artistic director.
After 33 years as artistic director, Michael Kahn retires from his post. His final production at STC is a world-premiere adaptation of The Oresteia by Ellen McLaughlin.
Simon Godwin assumes the post of artistic director of Shakespeare Theatre Company.
At the annual Gala, STC announces that the Lansburgh Theatre has been renamed the Michael R. Klein Theatre at the Lansburgh in honor of the longtime Chair of STC’s Board of Trustees.
As part of a three-year commitment to family programming, STC produces the world premiere of Peter Pan and Wendy, a new adaptation of J.M. Barrie’s Peter Pan by Lauren Gunderson.
Simon Godwin makes his directorial debut at STC with a production of the seldom-staged Timon of Athens. Kathryn Hunter plays the traditionally male protagonist.